2014 was a busy year for improv in London. There seems to be more improv shows, more improv nights, more improvisers, more audience. Improv in London is growing and growing and growing.
It felt like that 2014 was the year that improv in London got its own identity. For years we were a bit confused. Chicago seemed to be all about long-form, New York a faster more commedic long-form, IO relationships, UCB game of scene, etc. It often seemed that North American improv knew what it was but we weren't sure.
But in 2014 it felt like the improv scene in London decided we could actually be everything and anything. We have space for short-form, long-form, narrative, musical improv, solo improv, clowning, serious improv. London is perfectly placed with great links to Chicago, LA, New York, Austin and Toronto, and also to Europe and the great theatre tradition of the UK.
London this year has really become a melting pot of all types of improv, open to all schools of thought and all improvisers. Because there isn't one over-riding school of thought performing here has become very open, very experimental, and vibrant.
There's also been a great increase in the number of improv nights. We've been running shows almost every night of the week at The Miller in London Bridge, and there have also been new regular nights opening up like Duck Duck Goose and C3Something.
In no particular order here are some of my favourite memories of improv in 2014:
- The sheer bonkers fun of Lewis Harrison-Barker's Improvision the Improvised Eurovision Song Contest. It feels like he's re-found the glory days of alternative comedy cabaret from the 1980s (an inspiration for me).
- Michael Brunström's The Human Loire, it's been great seeing a friend get nationwide press for something so fun, so silly, and so him.
- Guesting in Glitch the improvised puppet show, this was a tonne of fun and also the most difficult improv I've ever done. Improvising the voice of one puppet while moving the feet of another and then improvising a song!
- Improvising a song for my 5 year old niece at Christmas called 'wear your hat on your feet' and her inventing the next lines 'wear your scarf on your head', 'put a cherry on your car', 'put some cream on your house'. Game of the scene seems pretty natural to five year olds!
- Appearing on stage with my lovely wife, both inside the same costume.
- Busting out an improvised panto.
- The sheer bonkers chaos of Goblins the improvised mask show.
- A beginners course ending with all of us dancing in the workshop studio for an hour afterwards in the summer sun, it felt tribal man!
- Late night improv jams, especially ones with drums and Jake getting fired to the moon on a piano.
- Having a diverse range of people performing at our nights and working together.
- Seeing new nights start up and be so loved by the improv scene, like Duck Duck Goose, C3Something, Shoot from the Hip and more. They have done loads for the improv scene and London is the better because of it.
- Mike taking the best wedding photo every using his phone.
- Lots of great guest teachers at The Nursery.
- People that inspired me to get into all this actually appearing at our venue! Like Paul Merton, Mike McShane and Kevin McDonald from Kids in the Hall. Colin Mocherie if you're reading this you are welcome any time!
- Having a massive improv summer picnic in Hyde Park.
- Watching new groups like The Pina Colliders come out of our Launch Pad nights.
- Watching so many people get into improv for the first time, start improvising more, perform for the first time. Always amazingly brave, always amazing to watch.
- Lots of new shows forming, this is so exciting for me. I love how many opportunities there are to perform in London now and seeing new shows is great fun.
- Having new teachers working with us like Maria, Max, Chris, Katy and more, it's great being able to spread improv and work as a team.
In fact writing that made me realise that a lot of what I love in improv right now is the more chaotic side of improvising. I don't really care if someone misses an offer, or the structure isn't right, I just enjoy the sheer human spontaneity and chaotic joy of it all.
I've often felt like quitting performing improv, but every time I feel like that something happens to get me back into it, and sometimes the inspiration can come from unexpected places.
Most recently it was from watching the Louie CK sitcom Louie, which is the best thing I've seen all year. At places it feels like the show is talking directly to me, it's really funny, and also features a surprising amount of advice and guidance for up and coming performers.
The scene below in particular I found helpful.
In this scene Louie has just done a shitty comedy gig in the smaller Lounge Room at a casino, and ended up quitting his job there. He bumps into Joan Rivers after the show, who is also performing at the casino but in the bigger theatre space, and here's what happens:
[clink of glasses]
Joan: To comedy
Louie: Thank you very much
Joan: So, you're in the lounge?
Louie: Well, I was
Joan: You were fired?
Louie: I quit
Joan: What do you mean you quit? Nobody quits
Louie: I quit
Joan: Are you crazy? Are you a trust fund baby that you quit?
Louie: No, it's just they got upset because I was saying stuff about the casino, I was making fun of Trump.
Joan: You're in a Trump hotel. You don't fun of the owner of the hotel, are you crazy? He's not going to hire a comedian that's going to say fuck Donald Trump.
Louie: I know but I just I
Joan: You know, this is not an easy business. You want to try my life sometimes? I work at Arizona, how about that? And Indian casinos, you think that's easy? You tell a joke they don't like, instead of a tomato they throw a tomahawk. What do you expect? I mean, you've got a job, how lucky are you for goodness sakes?
Louie: Yeah but come on, you're in the nice theatre here. They've got me in the shitty lounge.
Joan: I was in the shitty lounge sweety puss, two years ago. For all I know I'll be back in the shitty lougne two years from now, and you'll be in the main room. Things change, that's the business. Look at the perks you are getting, you've got a job, you've got a card for the free food in the employee cafeteria. I mean stop bitching and go buy a pocket that's lined with plastic and throw food in when nobody's looking.
Louie: Yeah great.
Joan: You know what's wrong with you guys? You don't know when you're lucky. Appreciate where you are for god's sakes. It goes up it goes down. I thought I had the lock on old. And then guess what? Back from the dead, Betty White. Dusted off her old dumb tits and trotted them out. It could happen to you. You think you're doing so well and then Dane, what's his name, Dane Cook guy that asshole, he could come out and take your job from you. Know when you're lucky.
Louie: Yeah I know. Yeah I know all that. It's just sometimes I get sick of the bullshit.
Joan: Sick of the bullshit?? What is your problem? I am a million years old, do you know that? Do you know what I've been through? I've been in this business for a million and two years, and I'm a woman. It's not easy. Do you know how many blowjobs I had to give to get where I am now? Come one, give me a number, give me a number? How many blowjobs did it take for Joan Rivers to end up in a suite with lots of flowers?
Louie: I don't want to guess that.
Joan: Come on guess, come on. To go from clubs to Carson from Carson to Fox and my own show on daytime and an Emmy and then the red carpet, come give me a number.
Louie: I don't want to guess.
Joan: Guess guess come on, give me a number. I want to hear your number.
Louie: 40?
Joan: Excuse me?
Louie: Around 40.
Joan: What the fuck? How dare you! [she hits and slaps him]
Louie: I'm sorry
Joan: I haven't given any, none! None!
Louie: I'm sorry
Joan: I don't do blowjobs. Smell my breath. I don't do blowjobs!
Louie: I'm sorry.
Joan: That's not what gets you places in this business for god's sakes. God.
Louie: I thought you were saying it was a lot, I'm sorry.
Joan: Don't talk to me anymore.
Louie: I'm sorry.
Joan: Listen, I'm a mother, are you a mother?
Louie: No, I'm not a mother.
Joan: Yeah well I thought you were, the way you whine like an old bitch with fat twins, that's what you whine like. And you listen to me, I have done it all. I have done it all. And the only thing I've learnt, the only thing I've learnt is, you don't quit. You don't quit. You have a job for god's sakes, you don't quit a job.
Louie: You're right.
Joan: Of course I'm right. Listen, you'll be fine. You'll be absolutly fine. Tomorrow morning you go down stairs, and you go tell Sam, it is still Sam right?
Louie: I don't know, I don't remember his name.
Joan: What do you mean you don't remember his name? You work for the guy, you've got to know the guy's name. How can you work with someone and not know their name? You think you only meet these people once? You've got to learn their names for god's sake. You learn their names on the way up, so when you need their help on the way down you have their name.
Louie: His name is Sam, I think his name is Sam.
Joan: His name is Sam, and he is a person. Tomorrow morning you go down there and you say 'Sam, I'm sorry, I was wrong' that's important 'I want my job back'
Louie: Ok, alright
Joan: Listen, I wish I could tell you it gets better, but, it doesn't get better, you get better. You think it's been easy? I've been up I've been down I've been bankrupt I've been broke. But you do it. You do it because....we love it more than anything else. That's why you're doing it. If you want a real job honey, there are a million things you can do, but what we do is not a job. It sounds so stupid, what we do....is a calling, my dear. We make people happy. It's a calling.
Books to read if you feel like quitting
I also find the following books really helpful:
The War of Art
The Artist's Way
Helpful Quotes
"The only way to avoid criticism is to say nothing, do nothing, be nothing." Aristotle
"In any moment of decision, the best thing you can do is the right thing, the next best thing is the wrong thing, and the worst thing you can do is nothing." Theodore Roosevelt
“Never give up on a dream just because of the time it will take to accomplish it. The time will pass anyway.” Earl Nightingale
"You can fail at what you don't want, so you might as well take a chance on doing what you love." Jim Carey (full video at http://youtu.be/V80-gPkpH6M)
"You are either going to do something, or you're not. Decide what one it's going to be and commit, but don't fuck about in the middle." My Dad!
Experiment. Play. Allow yourself to get it wrong, but keep playing.
Getting it wrong in front of an audience can feel painful, but it's part of the learning. Don't quit, learn from it, keep playing, keep playful. If you're going to have to get it wrong 1000 times before you've finally got it, start getting it wrong now!
"Accelerate your rate of failure" - Keith Johnstone.
Don't wait for permission
Don't wait for evidence that you're on the right track
Don't wait for approval
Don't wait for encouragement
Don't wait for the right time
Do it now
Why people might not give encouragement
Sometimes all we need is someone to say "go for it"! But we have to be able to take action without needing that.
Why don't people give encouragement? Because by giving encouragement they also feel responsibility for you. They care about you, so want to keep you safe.
So learn that the only person who can take responsibility for you is you. The person who can really say "go for it" to you, is you. Whatever you feel like doing next year, do it.
The subtle ways people quit in improv
These are things I've said or done myself over the years and have also seen regularly. Having awareness is helpful!
"I want to perform but I don't want to do all the admin". For me this is similar to saying "I want to get into swimming but I don't want to walk to the swimming pool, and I find the changing rooms a bit chilly". The best performers I know, who also earn a living from performing, aren't in a magical place where they don't do any admin, they do even more of it. But they've learnt to do it more efficiently, and they work, hard.
The slow dissolve. This is pretty common, a group is going really well and then it just kind of finishes, without anyone making the decision that it is finished, and before you know it 2 years have gone by. Be fiercer and more honest with yourself, and ask what are you actually doing each week? Keep on top of what you're doing, and don't let fun things die. And read War of Art, it's good for this.
Dropping the ball. The moment when just as someone has finally 'cracked it' and is stood on the doorway of success they suddenly stop. Their mind will swamp them with loads of reasons, but actually it's that the glimmer of success (which also suggests change) scares them and they jeopardise themselves and give up just when they were about to make something amazing. The good news is that if this happens to you, you can pick the ball up again even if it's years later.
Dropping the ball happened to me with solo performing. I did it a couple of years ago, mixing improv, stand up and characters and loved it so much, received such a loud signal in my head that screamed 'YOU SHOULD DO THIS' that I got totally scared and did nothing for two years! I'm only just coming out of my shell with this now, and about to pick up the ball again.
Best of luck everyone!
So don't quit! I don't even know who is reading this, but don't quit! Whatever creative endeavour you're thinking of doing next year, go for it. It might be hard work, it will be hard work, but it's worth it.
Do something beautiful that wouldn't exist if you weren't there.
At our last improv networking event I made an announcement that I was keen to bridge the gap between the live improv scene and TV and Film.
At the moment in London it feels like
there is a certain limitation on the career of a performing improviser,
they get into a regular team, perform lots, but the highest career
point can feel still feel like a small fringe theatre or pub venue. This
is still lots of fun, and is the core of great improv, but I think
there is more that performers can do.
I was talking to Rhiannon Vivian
(from Music Box and The Maydays) who has recently got back from a couple
of months in New York, performing and studying with places like UCB,
The Pit and The Magnet Theatre. She said that in New York there is a
stronger link between the live improv scene and the Film and TV
industries. Agents, Talent Scouts and Producers regularly come to live
improv shows there and cast for actors directly from the improv
theatres. Apparently this does have the side effect that the improv
scene can feel more competitive than here, but it also means that improv
feels more like a valid career rather than a naughty hobby.
Also in America and Canada shows
comedy shows have a long history of using improvisers as the actors,
writers, directors and show-runners. In fact improv skills can be
seen as the grounding of many great comedy shows like Saturday Night
Live, Portlandia, Curb Your Enthusiasm, Parks & Recreation,
Community, Louie and more. Improv is cool. I’ve never been cool so that
sounds really naff to say. But improv inspired comedy on American TV is
awesome. And I haven’t even mentioned the movies.
One thing those shows have in common
is they don’t feel the need to call themselves an improv show, and maybe
that’s something we could learn from here when trying to get improv
inspired things on British TV and Film. Those shows use improvisers,
they have heavily improvised dialogue and situations, but they call
themselves comedy shows first and foremost. Maybe relentless trying to
get improv on TV as ‘an improv show’ is what actually limits the
possibilities. Perhaps it’s like trying to put on a play at the theatre
and calling it ‘The Method Acting Show’.
This is already changing in London,
there are quite a few improvisers now appearing regularly on TV in this
country, so it feels like a good time to go for it.
After making the announcement at the
networking event there’s been lots of people getting in touch, I’ve even
been slightly overwhelmed actually, but it’s really exciting.
And a plan is starting to form.
What I'm personally doing at the
moment is writing loads and loads of sketches and situations to
improvise around, and I'm planning to film them over August when we’ve
got time off from our improv courses,
working with a variety of cast and crew from the improv scene. I’m
going to be casting improvisers in them and the sketches will be heavily
improvised on camera, around a given situation.
Then I'm going to be launching a
Hoopla youtube channel and comedy videos website, a bit like funny or
die but without the die bit, and a bit like the ucbcomedy website. I
think there's some good comedy on youtube but it can be hard to find
among the billions of videos. So I’m going to build a separate website
that hand selects the best stuff and points to videos, both videos we’ve
made and other peoples stuff (with their permission). So let me know if
you have videos you’d like to appear on that.
After experimenting with that, and
what works with youtube and other online audiences, I'm going to be
promoting the best videos and building up subscribers. After that I’m
going to be spreading word with TV and Film companies regularly and
building up a relationship with them, basically saying ‘Hey, look at
this!’
In the meantime I've also started
building up a contact list of TV and Film people, to keep an ongoing
relationship about the improv scene and send them a monthly email
newsletter of what's going on in the improv scene, videos to watch (not
just mine but anyones), hot shows, and actors to watch out for. This is
to build up awareness of talent in the improv scene so that when they
are casting or looking for actors they'll look for improvisers. I think
sometimes not using improvisers in the UK is just due to lack of
awareness, rather than a deliberate choice.
So improvisers it's time to stop being coy and be bold!
If you’re interested in getting
involved here’s what I’m especially looking for at the moment (casting
for our videos isn’t happening until later in the summer):
- People who work in TV or Film
or Online Content and would like to be kept up to date with what’s
happening in the UK improv scene (top shows, top videos, actor actress
recommendations).
- Professional actors and
actresses from the improv scene who would like to be included in our
newsletter to TV and Film Industry (especially if you have a Casting
Call Pro, Spotlight Link, online showreel).
- People who are also making
comedy videos and would like us to help boost audience by having us
point to them from our new website.
Email address is hooplaimpro@gmail.com (it might take us a couple of days to properly reply at the moment).
This is my completely biased list of recommended shows for Edinburgh Fringe 2014. I’m heavily biased towards improv, because that’s what I do. If I’ve missed something please let me know and I might add it on.
Most of the shows below are listed in detail at www.edfringe.com or are in the Fringe programme, available across Edinburgh. So if you want the show details please have a look at edfringe.com.
Our Top Five Recommendations
These are shows that are new to Edinburgh that I think could potentially be a breakthrough hit. Previous Hoopla Top Recommendations included Austentatious, Luisa Omielan's What Would Beyonce Do, Lady Cariad's Characters, Humphrey Ker, Josh Widdicombe and The Play That Goes Wrong, who were indeed all breakthrough hits that year. These don't include already well known shows, they have to be relatively new. I haven’t actually seen them yet, because they are new, but I have a good feeling about them.
1. The Human Loire at Cowgatehead, 65 Cowgate. This is what Edinburgh needs dammit! This is what the whole comedy industry needs! Completely bonkers and ridiculous, in fact the result of a great man’s (Michael Brunström) mind focussed on the ridiculous and absolute joy of improv. Like nothing you’ve seen before. Very silly.
2. Dave Waller: Where My Folk To at Laughing Horse The Wee Pub. This sounds like a great mix of records, Cornish hip hop, videos, stories and comedy that is really professional without loosing the lovely friendly audience banter of Dave Waller. Dave’s deliberately booked it into a small venue so it should feel like hanging out in his living room while experiencing a really funny, touching and interesting show, a treat.
3. Max Dickins: My Groupon Adventure at Pleasance Courtyard. Max got great reviews and audiences at last year’s Edinburgh and he’s back this year with an awesome show idea - he’s been saying yes to whatever he gets offered on Groupon for a year and it’s sent him on a massive adventure. He’s had colonic irrigations, pregnancy scans, his own face printed on a duvet and even got auctioned off for a date. His blog is hilarious and has been keeping us amused all year.
4. Oh Boy! The Quantum Leap Show, The Maydays at Cowgatehead, 65 Cowgate. Amazing idea for an improv show. An improvised episode of Quantum Leap. From one of the UK’s leading improv companies, and the first people I learnt improv from. And it’s free! Oh my gosh this is going to be massive.
5. In Cahoots at St John’s, 9 Victoria Street. This is a sketch duo made up of two very fine improvisers from Shoot from the Hip. They’ve got some neat videos on YouTube too, very professional and funny, very talented pair of writers and performers.
Our Top Five Safe Bets
These are acts that come to Edinburgh each year and are always really good. If you’re the enthusiastic Edinburgh organiser but have a cynical friend with you then take them to see these shows because they will love them and be won over.
1. Showstoppers at Gilded Balloon. The classic Edinburgh show, an improvised musical with great stories and songs made up on the spot.
2. Austentatious at Pleasance Dome. This is one of the best improv shows out there, an entire Jane Austen novel made up on the spot. You don’t have to be a Jane Austen fan to appreciate it, it tells a great story with fun characters and is incredibly funny.
3. Baby Wants Candy at Assembly Roxy. Big kicks ass improvised musical.
4. Lights! Camera! Improvise! The Mischief At Pleasance Courtyard. This is one of my favourite improv shows and a long-term Edinburgh classic. An improvised movie made up on the spot with great story, lots of laughs. The cast are really professional and give improv a slick edge that makes it great for all audiences.
5. Who Ya Gonna Call at Laughing Horse at The Counting House. A comedy musical based on The Ghostbusters. People were queuing around the block last year on its debut, and it’s back this year.
And a bonus number 6:
6. The Beta Males at The Pleasance Courtyard. The Beta Males bring a different sketch show every year and it’s always excellent. I have no idea how they do it, good on them.
Our Top Three Shows Not in the Programme
Some venues were a bit slow at confirming show slots this year, so many groups missed the deadline for the paper venue, here’s some good ones:
1. Peablossom Cabaret. They started performing in London recently and I had about three people phone me up afterwards saying I should book them afterwards, which is always a good sign. A musical comedy cabaret act, making up songs on the spot. www.peablossomcabaret.com
2. All Made Up. They’re not in the Edinburgh paper programme but are online at edfringe.com. Exciting group of experience actresses taking their first improv show to the fringe.
3. Joystick. These guys make a really fun improvised movie, with a mix of improv and big physical clowning. I’ll put a link here when I found it.
Our Top Improv Recommendatons (In alphabetical order)
Aaaand Now for Something Completely Improvised, Racing Minds at The Pleasance Courtyard. We keep hearing great things about this group, and are desperate to book them for our club. They also have Tom Skelton in the cast, who I think is one of the funniest and intense improvisers I’ve ever seen.
Cariad & Paul at Pleasance Dome. These are two of the best improvisers in the country and the chemistry between them is fantastic. If you’re an improviser you need to see this show. If you’re not an improviser go watch this show. Funny and beautiful at the same time.
The Improvised Improv Show at Laughing Horse Jekyll & Hyde. This is a great one for all improvisers. Run by a lovely chap called Luc Valvona, anyone who turns up can come and take part in a massive improv jam. A great place for improvisers to meet each other and perform.
John Robertson: The Dark Room at Underbelly, Cowgate. I’ve had so many people recommend this to me but haven’t seen it yet.
Lights! Camera! Improvise! The Mischief At Pleasance Courtyard. This is one of my favourite improv shows and a long-term Edinburgh classic. An improvised movie made up on the spot with great story, lots of laughs. The cast are really professional and give improv a slick edge that makes it great for all audiences.
Mysteries of the Unknown, Bristol Improv at Sweet Grassmarket. There’s some amazing improv coming out of Bristol, and there are loads of Bristol groups coming to Edinburgh this summer. Bristol has really got it’s scene together, with groups working together to put on new improv.
Oh Boy! The Quantum Leap Show, The Maydays at Cowgatehead, 65 Cowgate. Amazing idea for an improv show. An improvised episode of Quantum Leap. From one of the UK’s leading improv companies, and the first people I learnt improv from. And it’s free! Oh my gosh this is going to be massive.
Shhh - An Improvised Silent Movie at Gryphon@WestEnd. I haven’t seen this or heard anything about it but I think it’s a cool idea so I’m going to check it out.
Stuck, The RH Experience at C Nova. The RH Experience are hugely popular on YouTube and also one of our main acts at our comedy club with a massive London fan base. Three guys, all hilariously funny, amazing at characters and one of the few improv groups that have a style uniquely theirs. I’d like to bottle them up but I can’t catch them they are too quick. It’s about time they were on TV.
Whose Live Show Is It Anyway? At Underbelly, Bristo Square. This is a reunion of the old Whose Line cast. For me Whose Line means cycling back from scouts quickly to catch the show, and then raiding my parent’s drink cabinet before my Mum and Dad got back from the pub, rock and roll!
Our Top Five Free (Donation Only) Shows (In alphabetical order)
There are some amazing free shows at Edinburgh. Recently many of the award winning acts have come out of the various free fringe. Free doesn’t mean rubbish anymore, it more often means amazing show by a independent performer who didn’t want to be restricted by the financial demands of the larger venues. Please remember to give a donation on the way out though.
The Human Loire at Cowgatehead, 65 Cowgate. This is what Edinburgh needs dammit! This is what the whole comedy industry needs! Completely bonkers and ridiculous, in fact the result of a great man’s (Michael Brunström) mind focussed on the ridiculous and absolute joy of improv. Like nothing you’ve seen before. Very silly.
I Have an Idea for a Film, Katy Schutte at Laughing Horse @ The Counting House. I haven’t seen this yet but Katy is one of the best improvisers in the whole of the UK, behind some amazing shows (like improvised Quantum Leap and Who Ya Gonna Call, also on this year), and I’ve got a really good feeling about this. Again, I can’t believe there is so much great stuff for free.
The Improvised Improv Show at Laughing Horse Jekyll & Hyde. This is a great one for all improvisers. Run by a lovely chap called Luc Valvona, anyone who turns up can come and take part in a massive improv jam. A great place for improvisers to meet each other and perform.
In Cahoots at St John’s, 9 Victoria Street. This is a sketch duo made up of two very fine improvisers from Shoot from the Hip. They’ve got some neat videos on YouTube too, very professional and funny, very talented pair of writers and performers.
Katia Kvinge present Karacters, Globe Bar in Niddry Street. I’m going to see this because I met Katia in a Mick Barnfather clown workshop and thought she was one of the funniest people ever.
Liz Peters: Toybox at Cowgatehead, 65 Cowgate. Liz from The Maydays going solo. I haven’t seen this yet but Liz is one of the most fun and playful performers I know, and has an incredible singing voice, so I think this will be excellent.
Oh Boy! The Quantum Leap Show, The Maydays at Cowgatehead, 65 Cowgate. Amazing idea for an improv show. An improvised episode of Quantum Leap. From one of the UK’s leading improv companies, and the first people I learnt improv from. And it’s free! Oh my gosh this is going to be massive.
Pippa Evans at Bannermans. Pippa is one of the best comedians and improvisers in the country, usually known for characters and improvising in Showstoppers. This is her as her. I can’t believe this is free, this is going to be hugely popular so get there early.
Who Ya Gonna Call at Laughing Horse at The Counting House. A comedy musical based on The Ghostbusters. People were queuing around the block last year on its debut, and it’s back this year.
Other Recommendations
Bec Hill
The Grandees
Dan Lees Brainchild
Beardyman
Absolute Improv
Improverts
Abandoman
If I’ve missed something please let me know and I might add it on.
Have a great Edinburgh everyone!
Steve
Hoopla
www.HooplaImpro.com