Thursday, 7 June 2012

Edinburgh Fringe Festival 2012 Show Recommendations

Last Thursday was possibly the most exciting day of any regular Edinburgh Fringe goer's year. The day the Fringe programme magically appears on my doormat. Sometimes I think that browsing through its glossy pages is possibly more exciting than actually going to the Fringe itself. It reminds me of thumbing through the Argos catalogue in 1987, circling things I really wanted for Christmas. First impression of the new Fringe programme is that it's heavier than last year's. Exciting observation #1.

I'm not actually taking a show to Edinburgh this year, so this might actually be unbiased for a change. Although I do teach loads of improv workshops, so it's bound to be biased towards improv and comedy. 

Also I've tended to concentrate on newer or different stuff, rather than the mock-the-apollo-rent-a-comedians who might be funny but you've probably heard of before and all their pictures in the programme look exactly the same. 

If you need more details on the shows check out www.edfringe.com where they have all the shows listed, and you can also order a paper programme there or pick one up when you arrive in Edinburgh.


This list isn't complete, I'm going to be adding to it as I go along, this is my first wave assault on the programme, so please full free to leave further recommendations in the comments. 


Key


Nu = New show to Edinburgh (not necessarily new performers)
Free = Free
Mum safe = Take your Mum to this and she'll love it and not be offended
Not Mum = Don't take your Mum to this, unless she likes being offended
Alternative = Represents the alternative 'how it used to be' feel of the fringe


Top Tips/Personal Highlights/Ones to Watch

Show: What Would Beyonce Do? - Free
Performer/Group: Luisa Omielan
Venue: Laughing Horse @ Meadow Bar, Buccleuch Street
Time: 22:45
Dates: 2nd - 26th August, not 13th August
Price: £Free
Stand Up. This is my hot stand up tip of the year. While lots of other stand-ups on the circuit seem to be taking a slightly comedy by numbers approach of doing exactly the same set night after and changing some infinitely small section of their set to achieve some kind of comedy perfection, Luisa stands out for still taking massive risks, being brave, improvising loads, interacting, breaking boundaries and most of all being funny. She reminds me now of what Eddie Izzard was like just before he took off. I saw her start an MC set once by doing 5 minutes in gibberish following an off the cuff conversation just before she went on, the crowd loved it. She's unsupported with no agent or press or PR, up against the Avalon renta-comic panel brigade, so go and support her. When you watch her you feel like you're actually watching a real person that has opened up on stage and is connected to you, not a talking script of generic comedy. Most of all you feel like she's a comic that has committed to being herself, without apology, in the face of an industry that doesn't seem to encourage that anymore. I've also heard great reports from her Brighton Fringe gigs. And did I say she's funny? She's very funny. Go see it, and tell others to go to.
Free


Show: RH: Live
Performer/Group: The RH Experience

Venue: C aquila, Roman Eagle Lodge (near castle off Royal Mile), EH1 2PLW
Time: 15:30
Dates: 12th August - 27th August
Price: £8.50 - 10.50
Improv. YES YES YES! RH AT EDINBURGH! Possibly the most exciting thing to happen to the festival in years. The RH Experience have been building up thousands of fans on You Tube first, the other way round from most comedy acts. They even won a major YouTube award this year which means YouTube see them as the stars of the future. They've also been building up some amazingly successful live shows at The Miller, with people coming all the way across Europe to see them. This is their first show at Edinburgh. Each one of the three (Tom, Luke, Conor) has their own special skills and character, I want to collect them all. I predict that within a few years they'll be the next Pappy's or Penny Dreadfuls on the live circuit, and the next Mary Whitehouse Experience on TV. If I was a producer of TV Comedy I'd check this show out immediately, take them all out for sandwiches, and then get down on all fours and bark like a dog until they said yes. Funny, modern, likeable, young, contemporary, current, good, RH.
Nu
Mum safe


Show: Austenatious: An Improvised Jane Austen Novel
Performer/Group: Milk Monitors / Laughing Horse Free Festival

Venue: Laughing Horse @ The Counting House, 38 West Nicolson Street
Time: 13:30
Dates: 2nd - 26th August, not 14th
Price: £FREE
This show has been making waves in the London Improv scene, performing at The Miller and all over the place. They take a suggestion for a new Jane Austen novel, and improvise the entire tale there and then in period costume. It features some of the best improvisers around, it's really funny, and they tell awesome stories. You don't even have to be a Jane Austen fan to enjoy it, there's loads to enjoy. With now well-known improvisers in it too, like Cariad Lloyd and Rachel Parris, this should be a big hit. It's free, it's on for the full run, it's on nice and early in the afternoon, it's good. There is nothing in your way of seeing this show, so go and see it, and then go and see it again.
Nu
Free
Mum safe



Show: Do Not Adjust Your Stage
Performer/Group: Do Not Adjust Your Stage / PBH's Free Fringe

Venue: Whynot? 14 George Street
Time: 16:15
Dates: 4th - 25th August, not 14th or 21st
Price: £Free
Improv. Yeahhhhh!!!! I love Do Not Adjust Your Stage. Out of all the groups to rise out of The Miller the last year or so this group stands out. Every show in London is packed with an enthusiastic audience, because the shows are always funny, entertaining, with great characters and just awesome improv all round. They improvise a television schedule with soap operas, documentaries, news and best of all the Game Show. Not a weak link among them, they're all awesome. And it's FREE so go and check them out.
Free
Mum safe



Best of the Rest

Show: Cabaret Whore - Her Finest Hour
Performer/Group: Sarah-Louise Young - Festival Highlights

Venue: Underbelly, Bristo Square
Time: 19:30
Dates: 3rd-12th August
Price: £7-£12
Through hard work, dedication, and lashings of talent Sarah-Louise has become one of those rare things; an Edinburgh defining show. Edinburgh wouldn't be the same without her, because this is Edinburgh. Some great musical comedy characters that are really funny, well written, well produced with songs that are beautifully sung. Funny and sounds brilliant. Sarah-Louise is also in The Showstoppers.

Show: Piff the Magic Dragon in ... Jurassic Bark
Performer/Group: Piff the Magic Dragon

Venue: Pleasance Dome, Bristo Square
Time: 19:10
Dates: 1st - 26th August
Price: £6-£11
Comedy magician dressed in a dragon outfit. He pissed off Jonathan Ross on Penn & Teller's Fool Us by eating a banana while he was trying to talk and then handing him the skin. For this reason, I recommend him.

Show: Aaaaaaaaaaaaaaarghh! It's the Greatest Show on Legs
Performer/Group: Martin Soan / Heroes of Alternative Fringe

Venue: Alternative Fringe @ The Hive, Niddry Street
Time: 21:00
Dates: 22nd - 26th August
Price: £5
I haven't actually seen this but I know this was the comedy group that the late great Malcolm Hardee was in, who was one of the founding fathers of British Alternative Comedy, so it should be anarchic and is also likely to have some interesting guests.
Alternative
Not Mum

Show: Aaaaaaaaaaaaaargh! It's the Malcolm Hardee Comedy Awards Show with Miss Behave - and It's Free!
Performer/Group: John Fleming and The Laughing Horse Free Festival

Venue: Laughing Horse @ The Counting House, 38 West Nicolson Street
Time: 23:00
Dates: 24th August
Price: Free
If you want to see something that's the antithesis of run of the mill manufactured stand up then this is the show for you. Malcolm Hardee was one of the founding fathers of alternative comedy. John Fleming wrote his biography 'I stole Freddy Mercury's Birthday Cake' (awesome read) and now writes an influential comedy blog. Whoever is nominated and whoever comes to perform, your guaranteed something different.
Alternative
Not Mum
Free

Show: Baby Wants Candy: The Completely Improvised Full Band Musical!
Performer/Group: Baby Wants Candy

Venue: Assembly George Square
Time: 19:30
Dates: 1st - 27th August
Price: £6-£15
Very funny and entertaining improvised musical with a full band that rock.
Mum safe

Show: Bad Advice - Free
Performer/Group: Lauren Shearing and Sarah Pearch

Venue: Laughing Horse @ Espionage, 4 India Buildings, Victoria Street
Time: 22:00
Dates: 2nd - 26th August, not 13th August
Price: £Free

Show: Birth Order
Performer/Group: Rachel Anderson

Venue: Laughing Horse @ Free Sisters, Cowgate
Time: 17:15
Dates: 4th - 26th August
Price: £Free

Stand up. I haven't seen these yet but Lauren Shearing and Rachel Anderson have been performing lots at The Miller in various improv groups including Music Box and I think they're really talented, so I expect their stand up will be awesome too.
Free

Show: Bec Hill is More Afraid of You Than You Are of Her!
Performer/Group: Bec Hill

Venue: Gilded Balloon Teviot, Teviot Row House
Time: 14:45
Dates: 1st - 26st August, not 15th August
Price: £5 - £9
Stand Up. Bec is so professional, every time we've had her at The Miller she's adjusted immediately to various crowds and got them laughing. Very warm, friendly and engaging. The sort of person you really want to do well on stage and in life, and does.
Mum safe

Show: Billy The Mime
Performer/Group: Bonehead Productions

Venue: Just the Tonic at The Caves, Cowgate.
Time: 18:15
Dates: Aug 2-13, 15-16, 20-23
Price: £4-8
Politically incorrect controversial mime. I haven't seen this yet, but have a good feeling about it in my category of 'weird Edinburgh things that make me think differently'.
Not Mum
Alternative

Show: Bob Slayer: He's A Very Naughty Boy
Performer/Group: Master of Chaos

Venue: Alternative Fringe @ The Hive, 15-17 Niddry Street
Time: 19:00
Dates: 2nd - 26th August, not 14th
Price: £3-5
Some people hate Bob Slayer but I absolutely love him and think he's hilarious. I'm probably going to see him 3 or 4 times this year. Last time I saw him he drunk anyone's wine who left it on the floor and didn't move it quickly enough, got naked, hang a dartboard around himself, and then got the drunkest audience member to throw darts at him. One of the darts missed and stuck in his leg. The last dart hit the bullseye. I feel like anyone who doesn't like him, I don't like.
Not Mum
Alternative

Show: The Boy With Tape On His Face - More Tape
Performer/Group: Boy with Tape on his Face

Venue: Pleasance Courtyard, 60 Pleasance.
Time: 21:40
Dates: 2nd - 27th August, not 14th August
Price: £6 - 13.50
Bloke with tape over his mouth does stand-up using mime, props, audience interaction, improvisation. This was my favourite show from last year, it left me feeling good about life and people in general. I looked around and myself, my girlfriend, Mum and Dad and the entire rest of the crowd were in hysterics throughout the whole show. I don't know anyone else who has such an honest and loving relationship with the audience.
Mum safe

Show: Carl-Einar Hackner: Handluggage
Performer/Group: Gilded Balloon

Venue: Gilden Balloon Teviot, Teviot Row
Time: 19:30
Dates: 1st August - 27th August, not 13th August
Price: £5 - 10.50
Comedy Swedish Magician. I saw him at La Clique a few years back and thought he was the funniest bloke ever. The most stupid act ever, and I mean that as a massive compliment.

Show: Cirque du Charlie Chuck
Performer/Group: Charlie Chuck

Venue: SpaceCabaret @ 54, North Bridge
Time: 12:30
Dates: 13th - 25th August
Price: £8
Donkey! It's that bloke from Vic and Bob! I also saw him at Reading Festival years and years ago. He was doing stand up between bands, and was awesome. He kept the crowd entertained for 15 minutes by repeatedly saying "do you wanna see me jump on dem drums?" If you like the absurd, avacado.
Alternative

Show: Doctor Brown - Befrdfgth
Performer/Group: Soho Theatre

Venue: Underbelly Cowgate
Time: 21:05
Dates: 2nd - 26th August, not 13th
Price: £6 - 11:50
Absurd Clown. I haven't seen him for years but everyone I know and love from workshops keeps telling me that "I HAVE TO SEE DOCTOR BROWN". He also recently won a major award at the Melbourne Comedy Festival.
Alternative

Show: Fat Kitten Goes Speed Dating AND Fat Kitten vs. The World
Performer/Group: Fat Kitten

Venue: The Vodoo Rooms, West Register Street
Time: 16:50
Dates: 4th - 25th August, not 15th or 22nd August
Price: £Free
Improv. at Kitten are now pillars of the Edinburgh Fringe. I feel like a trip to The Edinburgh Fringe isn't complete without checking them out. James Ross really understands the Fringe audience and makes the perfect Free Fringe show. They've got two shows this year, Speed Dating in the first half of the festival, vs the world in the second half.
Free
Mum safe

Show: Folken Britain
Performer/Group: Susan Harrison

Venue: Le Monde, 16 George Street, EH2 2PF
Time: 17:50
Dates: 4th - 25th August, not 13th or 20th
Price: £Free
Character comedy. I haven't seen this particular show but I've seen Susan in various improv shows and cabaret nights and think she's a great character comic, really funny stuff, so I've got a good feeling about this show.
Free

Show: Four Screws Loose in #screwtheworld
Performer/Group: James Grant Comedy

Venue: Assembly George Square
Time: 15:20
Dates: 2nd - 27th August, not 11th August
Price: £5-10
Sketch comedy. I haven't seen this group yet but I've heard great things year on year, and with Penny Dreadfuls and Pappy's doing less together this could be the year for the Screws to really take off.

Show: Gareth Morinan Presents A Wilmops Good Improv Show
Performer/Group: Gareth Morinan

Venue: The Cabaret Voltaire, 36 Blair Street
Time: 12:05
Dates: 4th - 25th August
Price: £Free
Improv. The Wilmops have been rocking the London Improv scene and Gareth has been doing some awesome work, we salute you sir! They should also have some great cast, so keep an eye out for some amazing guest performers coming along.
Free

Show: GirlBand Improv - Free
Performer/Group: GirlBand

Venue: Laughing Horse @ Meadow Bar, 42-44 Buccleuch Street
Time: 20:15
Dates: 4th - 26th August, not 13th or 20th
Price: £Free
Improv. I've been performing with Luisa Omielan in Zorbo Ironheart, and Rachel and Lauren in Music Box, and I think they are all excellent improvisers, so think they'll be great all together in this show. Most of all GirlBand seem to be about making improv fun, and I think they'll be perfect for the Free Fringe crowd too.
Free

Show: Heroes of Alternative Fringe
Performer/Group: Greatest Show On The Fringe

Venue: Alternative Fringe @ The Hive, Niddry Street
Time: 19:00
Dates: 2nd August - 21st August
Price: £5
I'm pretty intrigued about what acts will be on for this show. It mentions Bob Slayer and Phil Kay in the blurb, two of my favourites.
Alternative

Show: Kunt and the Gang - Free
Performer/Group: Kunt and the Gang

Venue: Laughing Horse @ City Cafe, Blair Street
Time: 22:30
Dates: 3rd - 26th August, not 11th
Price: £Free
Never seen them but they were responsible for last year's 'knob gate', sticking cocks all over big star's posters, which I found funny so I'm going to seem them this year for that reason only.
Free
Alternative

Show: Ladies and Gentlemen - Free
Performer/Group: Ladies and Gentlemen

Venue: Laughing Horse @ The Counting House, West Nicholson Street.
Time: 15:30
Dates: 2nd - 26th August.
Price: £Free
Sketch Show. The photo features Paul Foxcroft, one of the finest improvisers to pop up in London over the last year or so, and if he's now doing Sketch too I predict it will be well worth watching.
Nu
Free

Show: Lights! Camera! Improvise!
Performer/Group: The Scat Pack

Venue: Underbelly, Bristo Square
Time: 16:50
Dates: 1st - 27th August, not 13th.
Price: £6 - 11
Improv, movie themed. I'm an improviser but every time I see The Scat Pack they never fail to amaze me. They're really funny, fast and slick. They make great stories, with fun characters and a really funny show. It's also really profession, not just for improvisers, anyone will enjoy this show. It's great to see that they've moved out of C Venues too and are at the Underbelly now.
Mum safe

Show: Mick Foley: Prisoner of Raw
Performer/Group: Mick Foley

Venue: The Assembly Rooms, 54 George Street
Time: 22:25
Dates: 8th - 11th August
Price: £15
Wrestley Mick Foley does Stand Up. I like that.

Show: Monkey Toast: The Improvised Chat Show
Performer/Group: Ditto Productions

Venue: Pleasance Dome, 1 Bristo Square.
Time: 23:05
Dates: 1st August - 26th August, not 14th
Price: £5-11
Improv. Amazing cast that reads like a who's who of comedy - David Shore, Humphrey Ker, Sara Pascoe, Cariad Lloyd, Phil Whelans, Rob Broderick. Check it out.

Show: Nick Helm: This Means War!
Performer/Group: Bound and Gagged Comedy

Venue: Pleasance Dome, Bristo Square
Time: 17:30
Dates: 1st - 27th August, not 14th
Price: £7-13.50
Stand Up. There's something inherently 'real' with Nick Helm. I saw him on TV last night and he was the only person there who looked like an actual person. I want to touch his sweat.
Not Mum

Show: The Noise Next Door: Bring The Noise
Performer/Group: Bound and Gagged

Venue: Pleasance Courtyard
Time: 17:00
Dates: 1st August - 27th August, not 8th August
Price: £7-14
Improv. Every improviser should go see this show in order to understand how to market an improv show, develop an improv show, and deliver an improv show. Taking improv into the mainstream, which is a good thing. Well done.
Mum safe

Show: The Pajama Men's Improv Show
Performer/Group: Assembly

Venue: Assembly George Square
Time: 21:00
Dates: 2nd - 12th August
Price: £7-15
Improv. YES! If you are an improviser, like watching improv, or have even been within 50m of improv then you should definitely go see this show. They made a name for themselves with their two person scripted narrative comedy shows. Now they appear to be using this name to do their improv show - YES! Exciting.
Nu

Show: Peter Edwards: Love Everyone
Performer/Group: Peter Edwards

Venue: Laughing Horse @ Free Sisters, Cowgate
Time: 18:30
Dates: 3rd - 26th August, not Saturdays
Price: £Free
Every week I meet someone new who is guest appearing in this show. I love Pete. You either get his stand up, or you don't, and I do. Go Pete!
Free
Nu
Alternative

Show: Sheeps - Dancing with Lisa
Performer/Group: CKP

Venue: Pleasance Courtyard
Time: 17:10
Dates: 1st - 26th August, not 13th August
Price: £5-11
Sketch Show. Another one I haven't seen yet but heard loads of good things about last year.

Show: Spank!
Performer/Group: James Wren etc

Venue: Underbelly, Cowgate
Time: 00:00
Dates: 3rd - 26th August
Price: £10-15.50
Stand Up. Great place to see a selection of stand ups and other comedy acts from across Edinburgh all in one place. Runs till really late. You will end up here at some point in your Edinburgh visit.

Show: Well Done You - Free
Performer/Group: Trodd en Bratt/Laughing Horse Free Festival

Venue: Laughing Horse @ The Free Sisters, Cowgate
Time: 17:45
Dates: 2nd - 26th August, not 13th August
Price: £Free
Sketch show. This is in the category of "I can't believe this is free". Ruth Bratt and Lucy Trodd are both in Showstoppers the Improvised Musical and bust out the most hilarious characters ever off the cuff, so if they've actually written things down before it should be amazing. I've been hearing great things on the grapevine too about their preview shows they've been doing in London. Definitely one to watch, can't wait.
Free

Show: The Showstoppers
Performer/Group: Showstopper Productions - Festival Highlights

Venue: Gilded Balloon Teviot
Time: 23:00 (also family matinees occassionaly earlier in the day)
Dates: 3rd August - 26th August, not 23rd
Price: £7.50 - 12.50
Improvised Musical. A real Edinburgh essential, the festival isn't the same without it. So slick and professional, they've completely nailed the musical genre. Not only is it funny, and improvised, with great stories and characters, but it also sounds amazing. It's a real musical dammit! Made up!
Mum Safe

Lots of love,

Hoopla

Impro Classes and Shows


















Thursday, 24 May 2012

Maps of the stage, what different areas of the stage mean and how to use them.

This comes from a staging and scenework workshop I was teaching a couple of weeks ago at one of our Monday improv classes.

The first bit also comes from workshops done with Adam Meggido and Dylan Emery, who I think originally did it with Ken Campbell. 


For a while I've been thinking about what makes people look really 'good' on stage during impro. Sometimes people are hitting all the right impro notes, but there's just a certain zing of confidence missing from performance. Volume and movement are helpful, but for me another major player is the use of space. 


Adam Meggido and Dylan Emery taught me that the stage can be split into 9 squares, with each square already implying a certain status to the character standing in it. 1 is the highest status area on stage, 9 the lowest status:


Central stage at the front implies the highest status. Apparently the audience's left hand side of the stage is higher status as we read left to right. 


When we were working with Adam recently he said that an improviser who is loosing confidence and has found themselves drifting back to the stage can deliberately walk to square 1 to raise in status and deliver a strong line that gets them back on track. 

As a group you can deliberately use the space, covering each square you choose, to create something beautiful on stage. 


Hoopla Modifications


I've found the above works well for a theatrical style impro show in a proper theatre space. However a lot of impro is fighting a bit of a loosing battle when it comes to staging as it often takes place in spaces that aren't perfect for theatre, like rooms above pubs, in corners of pubs, free fringe venues etc. The appearances of things like radiators on stage, posters, tatty paint, windows etc all serve to distract the audience and shrink the space. 


We're aiming to suspend the audience's disbelief, welcome them into a space where anything can happen, and bring them into imaginary worlds that they see and believe. It's quite hard to do this if most of the audience are thinking "what's that fire extinguisher doing there?"


Also the audience in these alternative spaces aren't aware what the performing space actually is, unless you show them. When they walk into a proper theatre there is a better distinction between audience and stage, and it's pretty obvious what area the stage is. Areas of the stage don't die in proper theatres just because nothing is happening in them, the space itself keeps them alive. 


However in alternative venues we have to keep the space alive ourselves. If we perform all our scenes on one spot the space gradually shrinks around us until the audience just see two people in a room above a pub. However if we activate the space and keep it alive the audience start to experience theatre. 


Another challenge in alternative venues, especially with people new to impro, is that the audience aren't just seeing your space on stage as a character and staging choice, they are seeing it as a measurement of how nervous the improviser is. 

In the diagram above if a scripted play features two people having a conversation together in square 9 we will interpret it as a deliberate choice, especially if it is helped by the surrounding props/scenery. However in a lot of impro we actually just interpret them as being scared of the audience, loosing confidence, and trying to get away. 

Also in these sort of venues it's quite hard to see all the actors all the time, due to non-raked seats combined with floor high stages. For these reasons it's harder to imply depth, and even with people using the whole stage it can appear two dimensional. 


There seem to be slightly different rules going on for these kind of spaces. So for these reasons we came up with a different map:



Fun Zone:
I got this word from Oxford Comedy Deathmatch, and love it so much I now use it all the time. Your average improv scene is improved greatly by bringing it into The Fun Zone, especially towards the front of the Fun Zone. When improvisers get nervous they start to retreat to the back wall, or sides, and stay there. Get into the fun zone and whatever you're doing will be more fun. We can all see you and hear you in the Fun Zone, and you don't block anyone else. You don't have to worry too much about height in the Fun Zone, just have fun. 

However remember to activate the other zones too, with actions, grabbing props, looking at views, entrances and exits. Otherwise before you know it the performance space will shrink like cling film around you and before you know it you're just a person in a room above a pub again, instead of the princess on top of a castle that you were at the start of the scene.


Back Zone: This can be a danger zone, as improvisers can drift there when nervous or stuck in their heads. It can be used deliberately though. In Music Box we use it as the area to do background dancing/clowning while someone is singing in the Fun Zone. You can also play props in the Back Zone to add depth. In Music Box we tend to grab a chair to stand on, so you can give height in a flat space. When acting I like to think of the Back Zone as having a time limit, like near the net in basketball, so that unless you have a good reason to be there you should get out. 
If you want to draw on a blackboard, paint a picture, look out of a window and talk out of a view, try to put it on the fourth wall in the Front Zone rather than on the Back Zone wall. 
Be aware of height in the Back Zone, you'll have to be taller to be seen. 


Front Zone: Good place to hang pictures in your scene, paint walls, write on black boards etc. By putting these things here rather than on the back wall the audience can see your beautiful face and feel like the action is for them. It's also a good place to put props like kitchen sinks and operating tables, as other improvisers are then less likely to walk through them. 
As a host I often deliberately walk along the length of the front zone before the show starts to get audience taking their feet and drinks off the stage and to signal where the performing space is. 
If doing a scene in an outside setting you can still put props here, low down props work well. 
While you're having a dialogue with another improviser try referring to things on the fourth wall, picking them up, touching them, allowing them to inspire you. 
Height wise it's good to play low here, unless you're really making a big statement as a character. Low characters looking up at high characters in the fun zone can add focus here. 
Be aware that if you act the whole time in the front zone you might accidentally intimidate the audience, as you might be too loud, block their view of other actors, or even accidentally spit on them! 
Returning to the Fun Zone like a Squash Player returns to the T seems quite effective, leaving the Front Zone free for putting props in or making bold statements/taking focus. 
Be aware of height in the front zone, you might have to crouch if there are loads of people on stage. 


Side Zones: Good places to activate when coming on stage with props, things on walls, objects, doors etc. Not great for staying in to act for too long as we'll unbalance the stage. Good for going to get a prop you don't expect and find inspiration. Good place to put yourself if you want to loose focus for a bit while someone else is in focus in the scene.


Corners: Corners can be very helpful in impro, so I've given them special prominence away from the back zone etc. By having two actors talk to each other across the corners (front corner to back to corner) note that the diagonal is brought to life and suddenly we signal to the audience that the whole stage has come to life. 
Back corners can be good entrance points (think servant delivering message) and can have the effect of adding depth, especially if the other actors are towards the front on the other side. Front corners can be good heroic or bad guy entrance points.
Front corners can be great for playing little asides where two characters want to talk to each other without the other characters on stage listening. 
Front corners can also be great for revealing secrets to the audience, or even talking direct to the audience Commedia Dell'Arte style. 


Heights: In general it's good to have an awareness that if you're near the front of the stage you need to be lower down to stop blocking the people behind you, unless it's a deliberate high status/high impact choice. Playing with heights and space can add loads of depth to the scene, and make it look super cool.

Exercises



Before you do these you can use masking tape to map out your stage map on the floor. 


Experiencing the Space: Get two actors up. Get them to take any square each, just stood their neutrally and silent. Ask them how it feels. Ask the workshop what it looks like is happening. Experiment with turning them in different directions, making eye contact with each other, looking at audience, facing towards or away etc. Repeat and experiment with all the different stage positions. You'd be surprised how it already looks like something is happening. 

Building Montages: Get six people off stage. Give them a suggestion of a location. They have to build a scene picture/montage of that location as a freeze frame within 5 seconds. Get them to be aware of the different areas of stage, and the different ways of using height and giving focus. Eye contact is also helpful, including across the diagonals. 

Activating the Space and Entrance: Two actors, one off stage, one on stage. Give them a suggestion of a location, or nothing at all if they're up for it. On stage actor activates the space by moving around each area, finding a prop in each area and doing some kind of common action in the fun zone. By going into each area they spread the possible performance space in the audiences eye. For instance a cook is chopping in the front of the fun zone, goes to the front zone to open some cupboards and get a tin, opens it in corner, buts it in bowl in fun zone, grabs apron they forgot from side zone. 
The off stage actor makes an entrance when director gives thumbs up. Their objective is to name the relationship as soon as possible. They can bring in character and emotion. 
As they play the scene out the director can help them by telling them areas of the stage to activate, and experiment with different uses of space, eye contact, distance from each other, and using things on the fourth wall.
Improvisers shouldn't feel the need to stay next to each other when in dialogue, walking away from the other person, activating a different part of the stage, and grabbing a new action, can be a very powerful thing to do. 
Often being physical and playing with the space and grabbing a prop can open up the performer and get them out of a rut. You don't have to wait until you know why you're going somewhere or doing something, just do it and justify it later. 

Beginners find focussing on the local space and a common action at the start of a scene a very welcome distraction from trying to be funny.


Talk/Don't Talk: Two actors start on stage. They are given a location. They start in silence and don't talk until director says so. In this time they activate the different spaces on stage, find different objects, and establish an emotional connection. Once they are allowed to talk they alternate between talk/don't talk whenever the director says. This encourages them to activate the space and keep it alive, and discover bolder physical offers, rather than getting sucked in to a talking heads dialogue. 




Lots of love,


Hoopla


Improv classes and shows
www.HooplaImpro.com







Wednesday, 16 May 2012

Clown Exercises

Please see my earlier blog about theory and discussion behind clown and how it can be used for impro. This blog is an additional list of exercises that can be used in workshops. Originally learnt from a combination of workshops with Mick Barnfather, Keith Johnstone and Jay Rhoderick, and also in John Wright's book, so many thanks to them. 

I'll be leading more Clown sessions at our Saturday workshops soon. 


If You Love Me You Would Smile

Two actors face each other. 
Actor One says: "If you love me, you would smile."
Actor Two says: "I do love you, but I can't smile." while Actor Two tries not to laugh or smile. 
They repeat the lines until Actor Two finally smiles or laughs (some will do it straight away and the very concept of a straight face is highly amusing). Actor One can do anything to make the other person smile or laugh, but they have to stick to those lines. Once the actor has smiled they swap over roles. 
Teaches how to engage with your audience, in this case an audience of 1, and to treat it like a game. Also gets people out a rut and trying new things. 


Dolphin Training

Workshop are sat in a row as an audience. One actor leaves the room. We decide a simple thing we want them to do when they come back, for instance picking up a certain chair and sitting on it. When they come back into the room the audience guide them to complete the task by clapping, there is no spoken word or negative feedback. For instance if they walk close to the chair there would be a loud applause, if they pick it up louder applause, if they walk away from the chair the applause stops, and when they complete there is a huge applause. 

Encourage them to stay connected to the audience, be brave in trying different things at the start, but also be very present with the audience so they can work out exactly what it is that is making them clap. They will also have to learn to often 'get out of their box' and just try something completely different when they are stuck in a rut. 
It's also fun if every time they attempt a move they do it as if 'ah-ha, this is definitely it, I've got it now, no problem!" This encourages optimism in the clown. 


Dolphin Training - with Laughter

Same as above, except this time we replace the clapping sound with the sound of laughter. We still pre-decided the task except this time the audience let out a united HA HA HA when the person gets close. The clown is now learning to use laughter as a guide rather than something to be feared. 

Later on we can use this technique with natural laughter, as in there is no pre-decided task so the clown just does stuff until people laugh and then follows that laugh. 


Bravery and taking risks were highly rewarded by the audience, as was being simple and present with them to pick up what was actually working. 


Animal Sounds

Five clowns stood up in a row facing the audience. Each one has to do their impression of a certain animal given by the director. As a director if nobody is laughing just move on to next clown. If people are laughing stay on them. 

Very simple game yet there is a lot in it. Remind them to have eye contact with the audience, commit to it, and if something is working then do it more. 


From this came the concept of 'sticking the dagger in' with a laugh. Some people have a per-conceived notion of how much they can make people laugh. Why be happy with a light giggle? If something is funny do it lots and really stick the dagger in until people are falling of their chair wetting their pants. 


Introducing a Show

Clown has to come into the room and start introducing a show in the style of the old carnival introducers, while simultaneously playing dolphin training with natural laughter for their movements and what they say. They are following laughs, trying new things when laughter stops, or returning to last time they were funny, while staying engaged with the audience. This resulted in some the most hilarious stuff I've ever seen in workshops, including someone attempting to introduce a show while his imaginary Italian mama berated him from off stage, and someone being Simon Cowell and his incredible blinking dance. 

Lazzi Prepare and Perform

We didn't do this at this workshop but I've done it before and it's excellent. The class have some time to prepare their own Lazzi (word comes from Commedia) around some simple task that they keep getting wrong - unfolding a deckchair, stacking glasses etc. They then have to perform to group. 

Waking Up As If You've Never Seen The World Before

The whole class lies down somewhere on the floor or couches with eyes shut and partly asleep. As they wake up it's as if they've never seen any of this stuff before. Their own hands are fascinating, the carpet, the ceiling. Gradually they become aware of other people. Innocent and naive. 

Pointing to Focus

Two clowns interacting, crowd points to whoever has the focus at any point. You can play it as a competition for who has focus, and also compete to not have focus. 


There are loads more and various depths to clowning, lots of it is in John Wright's great book 'Why is that so Funny?'



Lots of love,


Hoopla

Improv classes every Monday, Thursday and Saturday in London.

www.HooplaImpro.com